All that matters is whether they’re about you and me. But they’re not ranked by popularity, sales or supposed celebrity quotient - just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. She’s got at least 5 or 6 dozen songs that seem to belong in her Top Ten. The hits, the flops, the deep cuts, the covers, from her raw 2006 debut as a teen country ingenue right up to MidnightsĮvery fan would compile a different list-that’s the beauty of it. Let’s break it down: all 229 tunes, counted from the bottom to the top. So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor - the songwriter she was born to be. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg - and she hasn’t exactly slowed down since then. It’s in her music where she’s made her mark on history - as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar.
But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist.
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